Wednesday, 17 January 2018

Five Things We Learned In Corrie This Week

(This post was originally posted by Scott Willison on the Coronation Street Blog in January 2018, reposted to this blog with permission.)

You don't marry a person, you marry a family.  Poor Jenny Bradley.  All she wanted was a quiet life with her new husband, sipping pina coladas on a lounger in Alicante and occasionally popping into the karaoke bar for a performance of her signature tune, What I Did For Love.  Instead she's constantly being dragged into Kate and Aidan's endless dramas - and now another fruit of his loins has turned up.  It's no wonder her veneer of politeness began to crack at Carla's birthday dinner.  Still, it meant we got a bushel of Amazing Jenny Bradley Faces, so her loss is our gain.

Always keep a sausage handy.  Some establishments might cook the meals as ordered; some might have a stash of frozen food that gets warmed up.  At Roy's Rolls, the convention is to fry dozens of sausages first thing then leave them sitting around, uncovered, on the side, on the off-chance that someone fancies a banger.  That stack of rancid sangers turning cold in their own fat caused membership of Toyah's Vegan Discussion Group to double in a day.

Everyone wants to get Seb drunk.  In one episode, Gary is buying Seb a hotpot, purely so he could get an underage lad a pint of beer.  In the next, Phelan is forcing glass after glass of whiskey down his throat, just to get him paralytic.  Both times, the adult was doing it purely so they could take advantage of the naive teenager.  Careful Seb; next thing you know you'll be waking up handcuffed to a headboard wondering where your pants are.  Trust me, I've been there.

Second best is good enough.  The interminable Sinead-Chesney-Daniel love triangle rumbles on, whether we like it or not.  Even Daniel got sick of the entire storyline this week and tried to put an end to it, but Chesney and Sinead instead bleated out a whole load of truths for what seemed like weeks and decided at the end of it they may as well get married anyway because they've paid for the cake.  Nothing says true love like a woman dumping you, going off to another man, then coming back to you because the second bloke isn't interested any more.  Let's hope Sinead and Chesney work out what happened to Luke so Phelan can drop them into a nearby reservoir.

It's hard to do a racism storyline before the watershed.  The note shoved under Alya's door was shocking and revolting apparently, but we'll never know what it said because they can't use that kind of language before nine o'clock.  It meant that we got several scenes of the Nazir family staring at a piece of paper, horrified, without ever learning its contents.  Personally I doubt it was racist at all; I think Sean did a crudely drawn nude of Norris as part of his campaign to annoy every single resident of the Street, and that's a hate crime in anyone's book.

@merseytart also does star jumps while naked, but he has the good manners to close the curtains when the window cleaner comes round.

Tvor @tvordlj on Twitter

Conversation Street Podcast 289

Gemma and Michael's podcast for the  episodes that aired up to last night's Canadian Corrie can be heard here.

In case you thought we missed out on a podcast, episode 288 was the Awards Show, which you can hear here.

Hope you've got a lengthy car journey or a massive pile of washing up to do, because we think we've made our longest podcast yet! In this episode, we discuss the goings on in Weatherfield between the 1st and the 5th of January. Don't you just hate it when, after spending four years on the sidelines, you're finally given something meaty to do and then you get roasted in a fiery explosion? Luke, we feel your pain - you might need some E45 cream for those burns...

Elsewhere on the Street, Weatherfield's most miserable couple get dolled up for their stag and hen nights, whilst Roy has to make a big decision about just how far he's willing to go for his friendship with Carla.

After Street Talk, we launch what we hope will become a proud celebratory institution, sitting alongside the likes of the Golden Raspberries: Who was the worst new character of 2017? Which storyline stretched credulity to breaking point? Who was the mardiest mare and the dirtiest dog? All these questions and more will be answered in the first ever Joni Awards!

In the Kabin, we take a deep look at the fake Derek Griffiths scandal that's been gaining a lot of momentum this week, and finally, we discuss, among other hot topics, the potenial recasting of Todd in the feedback section.

Tvor @tvordlj on Twitter

Tuesday, 16 January 2018

Doreen Keogh who played Corrie's first barmaid, has died age 91

(This post was originally posted by Flaming Nora on the Coronation Street Blog January 2018, reposted to this blog with permission.)

Doreen Keogh, who played Concepta Hewitt, the first barmaid of the Rovers Return in Coronation Street, has died aged 91.

Doreen played Concepta in Corrie from 1960 to 1964. She made return appearances on Coronation Street in 1967 and from 1972 until 1975.

She also played roles in Ballykissangel, Father Ted, The Royle Family, Cold Feet, Fair City, Z Cars and Crossroads, among others.

Although born in Dublin, she coached Barbra Streisand in the art of speaking in a cockney accent for the American actor’s 1970 film On a Clear Day You Can See Forever.

Born Doreen Keogh in February 1926, she left school at the age of 15 to train with the Abbey Theatre School, before moving to London. She was previously married to actor Frank Singuineau from 1954 until 1963.

She is survived by her second husband, Jack Jenner, brother John, and an extended family. She passed away after a long illness in Co Kilkenny on New Year’s Eve. Her funeral takes place in St Colmcille’s Church, Inistioge on Thursday.

In this little clip, below, you can see Doreen as Concepta Riley when she walks through the door at the Rovers just in time to help out Annie Walker behind the bar during their busy Christmas rush.

Tvor @tvordlj on Twitter

Dean Fagan Interview: Why I wanted to leave Corrie

(This post was originally posted by Flaming Nora on the Coronation Street Blog January 2018, reposted to this blog with permission.)

Millions of viewers were shocked tonight when Corrie favourite Luke Britton became the surprise new murder victim of psychopath Pat Phelan.

After stumbling across evidence that Phelan was implicated some way in the disappearance of Andy Carver, Luke signed his own death warrant by letting Phelan know he was on to him and was planning to go to the police.

A high speed vehicle chase led to an altercation between the two men with Phelan shooting Luke as he sat in the driver’s seat of his car, with Luke still alive Phelan then shot the petrol tank leaving the mechanic to burn to death in the fireball explosion.

Here Dean Fagan talks about how his decision to leave led to the dramatic showdown and how watching Luke’s death being filmed was like an ‘out of body experience.’

What made you decide to leave the show?
My decision to leave was based purely on my age and I felt that the time was right now to go and try new things! Also before I start to get older and want to settle down and life starts getting in the way of things and before I get too comfortable which is easy to do in this job, it is amazing job but I am also a person who likes to have new experiences. I have been here four years in December which as an actor is a long time in some ways to be playing the same role. I’m 29 and before the big 30 I felt I needed to make that break and try something else, it is a pivotal age.

What will you miss?
I will miss the people, it has been an experience that I will never forget, I have learned so much, to me Coronation Street is a microcosm of the whole industry, you experience everything within this environment.

Did you think they would kill Luke off?
When I told Kate that I wanted to leave obviously then it is up to them how they decide to write you out but this suited me perfectly, I like to finish something and not have the safety of thinking I can go back as it makes me hungrier for the next thing. It would be very easy to have that thought, I love Corrie, my friends are still there, should I ask to go back!

When did you find out what was going to happen to Luke?
I originally spoke to Kate in about June saying I wanted to leave at the end of my contract and she said ‘ok let us work on something’ I said I was prepared to stay a bit longer if it helped them work through the storyline. I then saw her a month or so later and asked how he was going to leave and she said ‘it’s final’ and I said ‘how final?’ and she said ‘pretty final - in a big ball of flames’ and she proceeded to tell me about the racism storyline and how that would intertwine with Luke trying to look for Andy and Luke pulling at the string with Phelan until he can’t take any more.

What did you think about your exit storyline?
For me there are two interesting stories - being involved in the Phelan story and the racism one, the show has rarely explored racism. It is great that the show is exploring these sort of attitudes that are sadly still around and for me acting out those scenes was not hard, as how he reacted would be my reaction which is easy to play. It needs to be done more in a way to bring it to people’s attention how it does affect the people on the receiving end.

I was excited to realise I was going to be a pivotal part of the start of Phelan’s demise, the start of the unravelling, that someone else has found out the truth and he has now killed again which is a desperate act and one that is going to eventually start more questions being asked. The Phelan era is huge and he has played such a massive part in the street so to be involved in that is brilliant. Luke will play his part in the whole end game.

What was it like filming those final scenes?
It is full on almost action story stuff, mild mannered mechanic to Mad Max. It was exciting to get the scripts, the car chase the gun shot through the window. It felt different knowing it was my last scenes and the set up for it all. I was out of my comfort zone and we were away from set, it is on the bleak moors essentially so it added that extra creepy atmosphere and drama.

What was nice was the fact that Alan Grint and John Folkard the same director and first assistant who filmed my first scenes filmed my last scenes so I felt I had come full circle. It felt like going out and filming a feature film.

How did it feel watching Luke die?
I was on set, it felt strange, I didn’t realise he was going to burn to death, I thought he would be dead from the gunshot so to watch that explosion and watch the car burn knowing ‘Luke’, someone I had known and played for four years was ‘in there’ and that was the end for him was weird. Even though he is a character it is still you so it is a bit like watching your own demise and physically standing there and watching the end of four years of your life going up in a fireball is quite a big thing.

I felt quite emotional about it - I didn’t get to play out his death on screen I got to watch him die. Most deaths on screen the actor is holding their breath and lying there dying in a hospital bed or on the street but this was more like an out of body experience to be there on the day they filmed that final scene but standing on the sidelines watching it. I came down the hill above where the scene was being done, I was like his soul standing there and watching him die.

What are your highlights from your time on Corrie?
The storyline with Steph the revenge porn story is definitely up there -  again a great issue to be involved in and to explore. I loved the car racing stuff, working with Alan Halsall and Mike Le Vell, Kevin and Tyrone are iconic and the actors are great to work with, we had such a laugh.

What are you doing next?
I am in a play in February for Hope Mill Theatre Company, written by Renny Kaprinski. He is a great playwright. It is called D’Eon set in 1769 and is about the first openly documented transgendered person in European history. He was a French Aristocrat sent over by the french politicians to negotiate with the British at the time when they were at war with the french, it is a fascinating story. The French did not like the fact he was a man who turned into a woman. I am playing a guy who is assigned to bring him back to France to be charged with treason. Very different from Luke and Corrie!

I would like to just try out few things, to do different dramas, hard hitting stuff and things that have something to say, just keep learning, throw myself in the deep end and see where I go from there.

Tvor @tvordlj on Twitter

Monday, 15 January 2018

Luke's dead! We reveal Dean Fagan's next acting role

(This post was originally posted by Flaming Nora on the Coronation Street Blog January 2018, reposted to this blog with permission.)

Dean Fagan, whose character Luke Britton was killed off in tonight's Coronation Street, will be joining a new play in Manchester next month.

The play is called D'Eon and it premieres at the Hope Mill Theatre in February 2018.

Dean will play the role of  Beaumarchais in the play that includes​ celebrity, intrigue and scandal aplenty.

D’Eon is the bizarre and amazing true story of one of the most infamous, outrageous, unsung warriors of history and the first openly documented transgendered person in European history.

The play runs for one week from February 13-17 2018.

More details here

Tvor @tvordlj on Twitter

Pics: Catherine Tyldesley strikes a movie pose

(This post was originally posted by Flaming Nora on the Coronation Street Blog December 2017, reposted to this blog with permission.)

Catherine Tyldesley, who plays Eva Price in Coronation Street, has been photographed for a new series of shots in Best Magazine. 

Catherine is styled as movie icons Marilyn Monroe, Faye Dunaway and Brigitte Bardot in the pictures taken for Best Magazine by Nicky Johnstone.

As we already know, Catherine is leaving Coronation Street in 2018.  You can read more on that here.

In a statement, Catherine said: "Coronation Street has been a dream job for me which is why this was such a difficult decision to leave. Eva has been such fun to play over the last seven years, and who knows, one day she might storm the cobbles of Weatherfield again. In the meantime I’m excited about the future, new acting projects, and spending time with my family."future, new acting projects, and spending time with my family."

Tvor @tvordlj on Twitter

Corrie Canada weekly awards for Jan. 8 - 12

Marvel Universe Channeling Award: Were the stags trying to channel The Hulk with the all green wardrobe and complete skin coverage in green? And what on earth was that posing freezeframe thing they were all doing?

Not-Corrie-New-Year's Fail: One small scene in the pub on New Year's Eve and that was pre-party. Everything and everyone else was at the Bistro, even people like Audrey and Maria who you'd think would be at the pub with old friends. It felt very strange not seeing the countdown in the Rovers.

Foreshadow award: Carla needs a transplant, best coming from one of her relatives. I have a bad feeling about this.

Misplaced accusations award: Phelan blamed Seb for losing them the roofing job at the factory when it was the loss of the deal with the Parkers that actually did that.

What are the odds awards: Two little wire houses turn up on the same day, houses that the late Andy used to make, both found in locations connected to Pat Phelan, as it happens.

Lines of the week:
Brian to Roy "Cathy has knocked your buns off the top spot"
Roy to Carla "I won't stand by and watch someone else I love die" R
oy "Carla.." Carla "Just don't tell me I'm being stupid" Roy "Will you stop finishing my sentences!"
Cathy "Brian, are you a man or are you a mouse?" (can I answer that?)
Carla "I'm not sure how this is going to work. A man who can't lie looking after a woman who does nothing but?" Roy "I'm sure I could lie if the circumstances required it"
Daniel "I'm here to bury the hatchet" Chesney "What, in me head?"
Robert "Any chance of a word?" Michelle "That depends. Does this word sound anything like Sorry?"

Tvor @tvordlj on Twitter

Sunday, 14 January 2018

Sunday Comments January 14

Carla seems to be avoiding Roy but encounters Daniel at the Bistro and finds out that Daniel used to work there. But Robert rehires Daniel while Carla keeps the peace between the two of them. Daniel and Carla introduce themselves, Peter's ex and Peter's brother. Carla offers Robert a loan but is refused rudely. Michelle thinks it's a good idea but in talking it over with Robert, Daniel overhears that the restaurant is still in debt.Why? Well, because it leads to Daniel telling Steve that Robert and Michelle are indeed having money problems on New Year's Eve.

Seems weird to see Tracy and Steve all loved up in public. Just doesn't seem right. They have a date in the Bistro but she notices that he keeps looking at Michelle. So what to do to solve that problem? Oh why, go back to the Bistro again for New Year's Eve where Michelle is wearing a top with cleavage showing everywhere. Tracy gets fed up with Steve paying attention to Michelle and hollers at him.

A few days later in the shop, Michelle's debit card didn't work and Steve is curious, knowing there are money problems in that direction. Steve offered Michelle 10,000 as a "mistake" from their settlement. I don't believe Michelle would buy that excuse, she was vindictive enough to make sure she got every penny she was due at the time. But she did and she accepted it with a hug that Tracy saw.

But what's up with Carla? She and Roy seem to have had a bit of a falling out, he knows what's up and isn't happy about lying for her. Hmmm. Curious. Anyway, she tries to get him to join the Connors for New Year's Eve in the Bistro which he resists but shows up anyway and finds a mohito by Carla's elbow. He doesn't know she ordered it without alcohol in it and he turned around and left when she got stroppy.

They then had a very special scene in the cafe. She's got health issues, serious ones, she is dealing with kidney failure and is looking at dialysis or a transplant. I'm so glad they didn't go down the cliche "I'm pregnant" route. Roy isn't going to stop poking sticks at her until she faces up to everything and fights for her life with all she's got. Roy comes back to the Bistro with her after all and she told Michelle she's only calorie-watching, not pregnant.

Johnny makes a speech as the seconds count down to midnight. We've barely seen the Rovers all night and it doesn't seem right, does it? Carla gets emotional and Roy rushes to her side outdoors. She could get a kidney donation from a relative but she doesn't want to ask so of course he thinks that's the wrong attitude to take. He invites her to stay in Weatherfield with him and she accepts. She really does need the support and if she's not going to reach out to her family, Roy is the one she really trusts.

Cathy persuades Roy to make a turkey dinner for Brian who missed his on the day. He's quite appreciative. Later in the week, on New Year's Eve, Cathy finds out that Alex is having housing problems but Brian has an important evening lined up. He takes her to the Bistro. Oh for the days when everyone went to the Rovers for occasions such as this. It does make it feel very disjointed, doesn't it? Cathy thinks Brian's going to propose but she's reluctant. It's too soon. Turns out he wants her and Alex to move into Number 12, the flat I wasn't sure he still owned because if he did, why was he lodging with Roy and Norris?And if she's not ready for marriage, what's the difference to living together? A commitment is a commitment in my book.

Brian can't find a way to gently tell Roy he's moving out. Roy can't find a way of asking Brian to leave so Carla can move in. What a pair. Over at the cafe, Carla still isn't sure about staying in Weatherfield since she'd have to lie to her family about her illness. Brian and Roy talked all around in circles and neither one was able to admit what they wanted but Brian finally blurted it out and Roy is pleased but then leaves Brian in charge of the cafe because he has to be somewhere else. He's gone to a clinic to see about donating a kidney. He's told that there will be lots of tests for his health and for compatibility as well as a psychological assessment. The implications are huge, apparently. So that's our Public Service Annoucement for today, then.

When Roy gets back, he tells Brian he's thrilled his moving out because now Carla can move in. So much for Brian thinking Roy was becoming too attached to him! Yasmeen tells Cathy she's delighted for them as well. Naturally. She gets shed of her houseguest!

Back at the flat, after giving Carla the mirror, Roy tells her that they bought the mirror in a flea market in Yorkshire. Cathy puts the kettle on and the four of them toast their future. Brian nearly reads a poem but Cathy manages to stop that. He does make a speech to thank Roy and Roy wishes Roy and Cathy the best.

Billy is facing a long recovery, more operations and may have trouble walking because of the fractured pelvis. Todd is still incommunicado and Billy doesn't understand why. Well, maybe he does but he can't say and has no idea which one of the Barlows called Geraldine. Adam is full of anger and grief. He and Daniel share a coffee later in the cafe. Chesney comes in and gets another dig at Daniel for wanting Sinead. Daniel tells him there's still time to split him and Sinead and Adam suggests there is still time to show her what he's really like.

Ken returns to see Billy to make sure he sticks to the deal now that Todd and Summer have gone. He tells Billy that he's responsible for changing Adam's life completely since the accident. After he leaves, Billy finally takes a shot of the self-serve morphine. Adam visits his mother's grave and vows revenge and the first thing we see him do after that is buy cookies, saying they're for Billy. Wha???

When Adam went to see Billy, it looked as if Billy didn't know that Adam knows his involvement in Susan's death. Odd, after Ken's orders to keep it quiet. You'd think he'd suspect all the Barlows know but he didn't seem awkward with Adam in the least. The conversation was thwarted by Eva's visit.

Turns out it was Peter that called Geraldine and he's backtracking like mad now. Thing is, he told her about Billy's accident, that's her son you remember, but she's more concerned with Summer. Geraldine did show up at the hospital later, probably hoping to quiz Billy, and Adam honed right in on her, sucking up like he's on her side against Billy and Todd raising Summer. I suppose he figures he can use her somehow against Billy by getting Summer away from him by legal custody means.

Geraldine has put things in motion to find Todd so she can get Summer back. The police are sniffing around Eileen, trying to see if she knows where Todd is. They question Billy, too, of course but he hasn't heard a thing. And is it me or is Billy self medicating with the painkillers more often than you'd expect? Eileen worries that when Todd does come back he'll be arrested for kidnapping but Phelan thinks Todd can get himself out of that one.

Stags and Hens for Chesney and Sinead coming up soon. Sinead of course doesn't want any lewd fuss like the standard hen do usually brings. Audrey texted Nick for his birthday. Nice that they throw little reminders in like that. Toyah is feeling a bit intimidated by Carla's presence and talks to Angie about it. Maria spending New Year's Eve in the Bistro, apparently with Audrey who should be at the Rovers with her old mates. 

Before New Year's, Alya meets Aidan in the Bistro with the new clients, her first time meeting them. But the clients waste no time making some nasty racist remarks referencing her colour and possible religion. Alya tells Aidan and Luke she can look aside if they can get the company back on side for the sake of the factory and workers.  Luke does not approve. Can't blame him. She's probably feeling a bit grubby about it all, too. They continued to make insinuations as well, in the pub later. Luke really is unhappy with it and even with Carla's advice to support Alya's decisions even if he doesn't like them, he couldn't help himself. He got caught up in the racists' heckling himself and lamped both of them. Naturally, he gets arrested for it the next day.

There's an alarm going off. Roy tells Toyah it's the garage. Two men in masks jump into a black sports car and squeal around the corner. Roy jumps out and tries to interfere and is knocked head over heels to the side of the road just as Sophie, Luke and Alya are coming along. Kevin arrives as well and we can see that there is graffiti sprayed all over the inside of the garage and the car that's parked inside. Luke comments that "they" aren't playing games now.

In the next episode, the police have been and taken the details. Of course it will be difficult to prove who actually committed the crime even though we've all got a pretty good idea. Even if there is CCTV footage, they were wearing masks. Kevin says that Roy is ok, just shook up and Alya offers to buy everyone pizza after they clean up the place. Luke has to go to his first hearing.

Carla's birthday dawns and she's still insistent on not telling her family she's ill. She did approve of Alya and Aidan dropping the racist clients, though. Alya later goes to the garage and snarls again at Luke for what he did but he stands up to her. Alas, the police drive up and arrest him for assault.

In the interview with the police, Luke claims he was provoked. His solicitor, Rana's brother Imran, tells the police the Parker brothers will have a reputation but it sounds like Luke might be charged anyway. Back at home, Phelan has come looking for the rent which is late and Alya still can't get hold of Luke. They discuss the situation and Phelan, in sympathy, gives them another week to get the month together. Luke arrives just then and tells Alya he's been charged with a hearing tomorrow. Imran tells them it's a serious charge.

So all of the Friends plus Sophie and Imran are in the flat. A takeaway is talked of though Kate has Carla's party to go to. Sophie found a little wire house a couple of inches big in the same drawer where the takeaway menus are. Luke says Andy used to make them. This will come into play another time so keep that in mind.  Luke and Alya decide to go out for a meal instead of a takeaway so they head to the cab office which is empty until Eileen returns.Before they go outside to Steve's cab, though, Luke spies a little wire house, or what's left of it on the desk. He asks about it and Eileen tells them she found it in the house that Pat was renovating, the one that burned down. Curiouser and curiouser. Twice in one day. What are the odds? Pretty good, I'd say, and a catalyst for the next leg of the plot which is bound to be the start of the end in the downfall of Pat Phelan.

Aidan buys Kevin and Sophie a drink to apologize that someone he was dealing with trashed the garage. Luke calls Andy's friend, Matt and leaves a message. He doesn't think Andy is backpacking around Belize after all.

In the Bistro, Rana arrives to check that she and Kate can still meet up. Robert sees Michelle give Kate her keys. When Michelle looks for him later, she finds out he's gone back to the flat to change. She texts the girls to warn them. They barely get themselves straightened out but they don't fool him when he comes in. Michelle tells Robert that she's letting Kate and Rana use the flat in return for not saying anything about the breakin.

As expected, a very surly Robert did not like Steve giving Michelle that money but she forced him to suck it up by showing him her cold shoulder. He had to apologize to Steve which then put Tracy in the know. None of this sits well with me, I tell you. Very much not believable. Michelle would have had her solicitor going over that settlement with a fine tooth comb to make sure she got everything she thought she was owed. She must know down deep that Steve is using that as an excuse to help her out and she's taking it, just like she had no qualms about defrauding the insurance company over the robbery "losses". No wonder Tracy is feeling a bit insecure. She had Steve confessing within seconds that he didn't really owe it to Michelle.

Roy gathers all the Connors to join him in the Bistro for a surprise birthday party for Carla. He hoped that her family could get together at least as one last time before they scatter to various points (Johnny and Jenny to Spain, Carla to Devon) Of course, he doesn't want Carla to leave and probably hopes a family gathering will remind her of her support network. She is surprised to come into the restaurant to see her family even though Roy's not there yet. She's a bit defensive at the idea of getting together while they all still can but Jenny points out that she and Johnny will be moving to Spain and Carla relaxes.

Roy finally arrives at the Bistro and he's clearly disheveled and scraped. Carla tells Roy she's taking him home but he wants her to have her gift first. (We saw him wrap up a mirror that belonged to Hayley, one that Carla had always admired). Carla is touched.

Out of the blue seemingly, in the pub, Ken tells Sophie that Emily is back in the country and is looking after her niece, Frieda, who's poorly. Peter and Carla still have that chemistry, don't they? And Toyah knows it, too. That's because Peter and Toyah have never had any in my opinion.

On New Year's Day, the younger Barlow men gather in the back yard of the pub, Peter hoping to call in some favours from Adam and Daniel. In the course of the conversation, it turns out Peter has installed CCTV but it's not working. Daniel discovers it covers an area right down the ginnel and he looks intrigued and offers to look at it for Peter.

Just to mention, here, Chesney's stag do is today as is the hen do. The women are dressing up as 1920s flappers though Sinead's mum got it wrong and is dressed like a trashy slapper! The men are going as ... some sort of soldier it looks like, with their faces painted green as well as wearing green uniforms and "helmets". And Cathy has joined the stag group, not the hens. Bizarre. I suppose because she works with Chesney. Gemma has as well but I would expect that!

Daniel has his hands on the CCTV DVDs and on the DVD they made showing Sinead at various ages. Cue the light bulb going off over his head. He told Chesney that there was CCTV footage of when Chesney smacked himself with the brick and he told Chesney Sinead was about to see just what kind of man she was marrying. Chesney made a beeline to the Bistro but of course, the DVD was not from the CCTV. Daniel was bluffing but it still made Chesney look like a frenzied idiot and Beth got hurt in the scuffle over the DVD. Cue smug Daniel.

Chesney admitted everything to Tyrone. He thinks Sinead isn't going to want him now. Sinead and Beth have breakfast together. Tyrone comes into the cafe and overhears them talking about Chesney, confused as to where his head is these days. Sinead doesn't know how much more drama she can take from him. Tyrone goes to Daniel in the Bistro and calls him a bully for targeting Chesney in his quest to win back Sinead. He reminds Daniel that Ches is trying to bring up a child who lost his mum and Daniel should remember what missing a parent is like. That gives Daniel pause for thought as Tyrone leaves.

Daniel goes to see Chesney later to make peace between them. He admits there was no CCTV footage and will make up an excuse for why Chesney went to the bistro disrupting the hen do. He realizes he went too far and that he owes Chesney for not telling anyone he was the one that hurt Ken last winter. When Sinead comes home, Chesney confesses all. Sinead gets upset, calls him paranoid with which he agrees, and then gathers her keys and runs out, demanding that he not follow her. Oh dear, has he really lost her?

She's gone to talk to Daniel to verify what Chesney said. Daniel actually defends Chesney as loving her so much that he was desperate. She's a bit surprised at his defence. Daniel points out that Chesney and Sinead have the same life goals and paints himself as having abandonment issues, latching on to the first girl who will take him on. She's hurt. He tells her he doesn't love her and never did, thus nobly pushing her away. That sends her out the door, as intended.

Chesney and Joseph have a hot choc in the cafe. Sinead has obviously impressed Joseph because he tells his dad he misses Sinead. Daniel joins Ken in the pub later. He tells his father what he spoke about with Daniel and admits he couldn't make Joseph lose another mother figure. He knows what that's like too well.

Tyrone plays peace keeper between Sinead and Chesney, trying to convince Sinead to go back to Ches. The smart thing to do would be to ask her if she wants him anymore rather than just trying to guilt her into it by imsinuating that Chesney would go over the edge if he lost her. She went to Ches for a soul baring conversation and admitted it was difficult trying to be Joseph's step mother because of her own pregnancy, where she'd had the termination. She says she wants Chesney and Joseph. It sounds to me like she's settling.

Eileen still hasn't heard from Todd. Seb is in the doldrums, too. Eileen sends him off to do some shopping for her. In the corner shop, Dev asks after Eileen. When Aidan comes in, Seb asks about the factory roof job that Phelan had given them an estimate for. That's obviously on hold at the moment. Aidan tells Seb they might as well look to any other job they have on the books at the moment. Gary is in the shop and overhears. Spying Faye come in the door and leave as soon as she claps eyes on Seb, Dev waxes lyrical on love.

Seb finds Faye in the cafe later and asks her to take him back. He professes his love but she tells him that unless he can agree that Anna's innocent, she can't have him back. He can't change what he knows and neither can she. Impasse. Gary buys Seb a hotpot and a beer in the pub. Phelan watches them from across the bar while Dev, Beth and Toyah chat about casts and fractures. Gary tells Seb that Faye's in an impossible position. He tells Seb he has an interview for work on a new development and asks Seb to come along but Seb turns him down, telling him he works for Phelan.

Phelan sees Aidan later in the cafe and he asks about the roofing job as well and is told the same thing, he should take one of his other job offers. Back home, Seb makes Eileen a sandwich. She tells him she thinks Billy is keeping a secret from her. Phelan arrives home to have a word with Seb for talking to Aidan about the roof job. He blames Seb for them losing the roof job. Not really fair since it's the lost business deal that did that. I don't suppose Phelan knew that, though, but Seb takes it badly. Eileen takes on the blame for trying to get Seb to be useful and gets an ear bashing for her admission.

Gary goes to see Anna. They make a bit of small talk but Anna then asks Gary to get back with Sarah and keep an eye on Faye for her. She doesn't think she's going to get out of prison. She knows that Phelan has won. Gary tells her he is getting closer to Seb but it scares Anna. Gary refuses to bow down to Phelan and thinks he can get Seb to change his story. He sees Seb in the cafe when he gets back. Seb is still metaphorically bruised from Phelan's verbal abuse. Seb asks Gary if the job will be hiring anyone else. Gary smiles and tells him he can come along with him as he goes to see the project managers again.

Later in the pub, though they haven't definitely got the job, Gary tells Seb there shouldn't be a problem. Gary starts pressuring Seb, telling Seb he has to decide who's more important to him, Faye or Pat Phelan. When Seb goes home, Phelan apologizes for putting Seb in a spot. Seb admits he might have a job with Gary on a mill conversion job. Pat keeps his cool when he sees the brochure Seb has, then plays the guilt card on Seb. He has to leave tomorrow, as well. Eileen looks pissed off and leaves the room to call Jason.

Phelan drives up to the mill, not much more than a fenced in yard and sees it's a new luxury development. It looks very like the one where he killed and buried two bodies of late. Phelan decided he ought to get work on the redevelopment project where the bodies are buried, probably to keep an eye on things if the temperature got too hot!

So Phelan seemed pretty confident that Seb would come crawling back which he did because he was too proud to admit that Faye could be right. She put a condition on him staying at Number 4, that he rescind his charges but he's not going to change his statement and he went crawling back to Phelan who proceeded to get him drunk and get his fingerprints on the gun and then hides it in the toolbox. Is that just in case Andy and Vinny's bodies are found? Phelan will hide the gun where it can be found and Seb's prints will be the evidence? But why on earth would Seb want to kill two men he doesn't know? And does Phelan even know where Seb was the night he did the deed? He could have a rock solid alibi. And it might be a moot point if Luke continues pushing Phelan on Andy's whereabouts.

First of all, though, Luke has a hearing for the assault charge. That little wire house is still preying on his mind afterwards.

Tvor @tvordlj on Twitter
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